March Reads


Here is everything I’ve written in March 2018. Boy was it a busy month. I got on my music writing grind and covered a lot of releases I’d been anticipating for a while. I even got to do a song premiere, which was pretty nifty.

Many slow songs suck, but they don’t have to

I struggle with a lot of slow songs and slower genres but as I’ve listened to more music I’ve found it’s not slow music as much as it is music that doesn’t do much, whether that’s not having any dynamics or movement, not adding in new instruments, or not building up and breaking down. So I wrote about what I think makes a good slow song.

Carpenter Brut’s “Leather Teeth” is a rad soundtrack to an imaginary ’80’s movie

Carpenter Brut is one of Synthwave’s greats so naturally, I had to review his newest album “Leather Teeth”. It’s a short and fun romp that really does sound like it should go with some classic 80’s shlock. It’s cheesy, over the top, and pretty delightful though it goes a bit too wild at points.

Screaming Females does a touch too much on “All At Once”

In this review, I got to take on a bigger name in rock in form of “Screaming Females”. Overall, the album was good, being both catchy and inventive with regularity. The guitar and vocals on the album were worth listening to for sure but I felt the album went on for too much and could’ve been seriously slimmed down.

“In a Poem Unlimited” or how to make good political art

Political art can often go awry and read as ham-fisted or poorly done yet when it’s done well it can be so poignant. Meg Remy/US Girls made absolutely masterful political art in form of “In a Poem Unlimited” – a seriously incredible album that shows and doesn’t tell you about the damage of so many political forces Remy does not agree with.

Premiere: Ben de la Cour “Company Town”

My first song premiere! I wrote about more political art in form of Ben de la Cour’s “Company Town” – a song that surprised me with how much I enjoyed it. De la Cour made a tasteful and thoughtful song about the genuine plight a lot of small-time American farmers and dying American towns face. It’s a classic country – think Johnny Cash or Steve Earle – tune that does its job well.

“Hope World” sounds beautiful when it floats and underwhelming when it doesn’t

Back to k-pop! J-hope, a member of one of k-pop’s biggest bands in form of BTS, released a solo album. I felt that there were some standout moments where J-hope showed his skill and his genuine ability to make catchy songs that had an incredible sense of aesthetic that captured his influences well but that the album faltered when it went away from that aesthetic into standard and dull rap tracks.

“Where Owls Know My Name” contains masterpieces and mediocrity

A long overdue metal review of one of my favorite technical death metal bands, Rivers of Nihil. Their new album was a wild ride, with some truly incredible and awesome tracks that felt like masterpieces of the genre and others that felt boring. The first half did very well and the second half left me wishing it was more like the first.

Kubbi creates a diverse electronic forest on “Taiga”

I reviewed an electronic, chiptune and video game inspired album that left me ultimately very pleased. Despite some isses of cohesion and flow when the album tried to mash together very different styles, I felt this one of the better atmospheric and general electronic albums I’d heard in a while. It was inventive and took on risks in meshing different sub-genres that most electronic artists don’t try to do and don’t do nearly as gracefully and subtly.

Fun Jack White is back

Jack White’s new album “Boarding House Reach” brought me back to the days when his music felt fun to me. Jack White’s solo projects seemed lackluster and totally lacking the bite of his old White Stripes and even Raconteurs albums. I was so refreshed by his newest album that I wrote a piece talking about how fun Jack White’s music can be and how the Fun Jack White had returned.

Snail’s House gets mellow with “Snö”

Snail’s House is a super prolific Japanese artist that makes electronic music styled around anime and kawaii (cute) culture. While I think many peers in his genre make lazy music, Snail’s House usually puts out a good effort. His new album definitely had good effort behind it and used great real-world samples and sounds to make a serene winter wonderland.

~Austin R. Ryan

December Reads


I’m gonna drop everything I’ve written and publicly published (under my name) in December here! The links are the titles and the titles are the links. Check them out if you like. I’d certainly like it if you did!

Review: Snail’s House’s “Alien☆Pop”

A review of electronic artist Snail House’s EP “Alien☆Pop.” It’s a fun EP that delivers on what you expect from Snail’s House but not much more.

Hyuna (현아) releases a new, surprisingly clever single and music video

A look at the clever subtext of a new video from K-Pop Idol Hyuna, which takes on the somewhat illusory body goals of K-Pop idols.

President Trump wins the latest round in the travel ban fight

A news article on an injunction to allow President Trump’s travel ban to go into effect while the courts decide on it.

The Dear Hunter’s “All Is As All Should Be” rewards fans in the best way

A review of the December The Dear Hunter EP. It’s a great tribute to fans done in a unique way that only a band as creative as The Dear Hunter could have thought of.

Why you should listen to (and watch) Louie Zong: King of the short and sweet

A dive into the animation and music of Louie Zong, a master of short and sweet media with a wonderfully colorful and cute aesthetic.

Grime godfather Wiley drops a new single, “Bar”

A simple and short report and review on Grime legend Wiley’s new track “Bar.”

Democrat Doug Jones pulls off a shocking win in Alabama

A news and analysis article on Doug Jones’s victory over Roy Moore in Alabama that explains why the victory is historic and how it happened.

MGMT makes a beautiful nightmare aesthetic for “When You Die”

An exploration of MGMT’s absolutely gorgeous and haunting music video for their new single “When You Die.”

“Star Wars: The Last Jedi” is enjoyable but not good

A review of “The Last Jedi” that explains in detail the movie’s worldbuilding and plot failings that make it a mediocre film even if it is a fun film to watch.

Thanks for reading! This month was a fun one where I got to explore some of my favorite artists’ works, got to write about some of the best music videos I’ve seen in a while, and wrote my first movie review. Happy 2018.

~Austin R Ryan

November Reads


I’m gonna drop everything I’ve written and publicly published (under my name) in November here! The links are the titles and the titles are the links. Check them out if you like. I’d certainly like it if you did!

Why you should listen to Wang Wen: Mainland China’s premier post-rock 

A deep dive into the music of Wang Wen, one of China’s oldest and most accomplished post-rock bands.

Dan Terminus’s “Automated Refrains” is a step into a new synthwave world

A review of Dan Terminus’s new album Automated Refrains. It’s a synthwave epic that creates its own world and story using lighter tones than is normal for the genre.

“Montage” shows a mix of effort from Block B 

A review of K-Pop act Block B’s new mini-album Montage. Montage is entertaining, fun, and breaks new ground in most spots but it has some disappointingly uncreative slow jams.

Australia votes a strong “yes” in same-sex marriage referendum 

A short news article on Australia’s referendum on gay marriage. In it, I touch on some demographics behind the referendum vote and what it means politically.

King Gizzard & The Lizard Wizard creates a psych-rock fantasy land in “Polygondwanaland”

A review of King Gizz’s 4th album of 2015, Polygondwanaland. It’s a progressive rock styled epic that knows what it’s doing and nails it.

“Perfect Velvet” is Red Velvet at their most and least interesting 

A review of Red Velvet’s bipolar new album. This album has some of the best girl-group songs in K-Pop, but also some of the staidest and least interesting ones too.

Thanks for reading and sorry for the silence!

~Austin R. Ryan