Here is everything I’ve written in March 2018. Boy was it a busy month. I got on my music writing grind and covered a lot of releases I’d been anticipating for a while. I even got to do a song premiere, which was pretty nifty.
I struggle with a lot of slow songs and slower genres but as I’ve listened to more music I’ve found it’s not slow music as much as it is music that doesn’t do much, whether that’s not having any dynamics or movement, not adding in new instruments, or not building up and breaking down. So I wrote about what I think makes a good slow song.
Carpenter Brut is one of Synthwave’s greats so naturally, I had to review his newest album “Leather Teeth”. It’s a short and fun romp that really does sound like it should go with some classic 80’s shlock. It’s cheesy, over the top, and pretty delightful though it goes a bit too wild at points.
In this review, I got to take on a bigger name in rock in form of “Screaming Females”. Overall, the album was good, being both catchy and inventive with regularity. The guitar and vocals on the album were worth listening to for sure but I felt the album went on for too much and could’ve been seriously slimmed down.
Political art can often go awry and read as ham-fisted or poorly done yet when it’s done well it can be so poignant. Meg Remy/US Girls made absolutely masterful political art in form of “In a Poem Unlimited” – a seriously incredible album that shows and doesn’t tell you about the damage of so many political forces Remy does not agree with.
My first song premiere! I wrote about more political art in form of Ben de la Cour’s “Company Town” – a song that surprised me with how much I enjoyed it. De la Cour made a tasteful and thoughtful song about the genuine plight a lot of small-time American farmers and dying American towns face. It’s a classic country – think Johnny Cash or Steve Earle – tune that does its job well.
Back to k-pop! J-hope, a member of one of k-pop’s biggest bands in form of BTS, released a solo album. I felt that there were some standout moments where J-hope showed his skill and his genuine ability to make catchy songs that had an incredible sense of aesthetic that captured his influences well but that the album faltered when it went away from that aesthetic into standard and dull rap tracks.
A long overdue metal review of one of my favorite technical death metal bands, Rivers of Nihil. Their new album was a wild ride, with some truly incredible and awesome tracks that felt like masterpieces of the genre and others that felt boring. The first half did very well and the second half left me wishing it was more like the first.
I reviewed an electronic, chiptune and video game inspired album that left me ultimately very pleased. Despite some isses of cohesion and flow when the album tried to mash together very different styles, I felt this one of the better atmospheric and general electronic albums I’d heard in a while. It was inventive and took on risks in meshing different sub-genres that most electronic artists don’t try to do and don’t do nearly as gracefully and subtly.
Jack White’s new album “Boarding House Reach” brought me back to the days when his music felt fun to me. Jack White’s solo projects seemed lackluster and totally lacking the bite of his old White Stripes and even Raconteurs albums. I was so refreshed by his newest album that I wrote a piece talking about how fun Jack White’s music can be and how the Fun Jack White had returned.
Snail’s House is a super prolific Japanese artist that makes electronic music styled around anime and kawaii (cute) culture. While I think many peers in his genre make lazy music, Snail’s House usually puts out a good effort. His new album definitely had good effort behind it and used great real-world samples and sounds to make a serene winter wonderland.
~Austin R. Ryan