March Reads


Here is everything I’ve written in March 2018. Boy was it a busy month. I got on my music writing grind and covered a lot of releases I’d been anticipating for a while. I even got to do a song premiere, which was pretty nifty.

Many slow songs suck, but they don’t have to

I struggle with a lot of slow songs and slower genres but as I’ve listened to more music I’ve found it’s not slow music as much as it is music that doesn’t do much, whether that’s not having any dynamics or movement, not adding in new instruments, or not building up and breaking down. So I wrote about what I think makes a good slow song.

Carpenter Brut’s “Leather Teeth” is a rad soundtrack to an imaginary ’80’s movie

Carpenter Brut is one of Synthwave’s greats so naturally, I had to review his newest album “Leather Teeth”. It’s a short and fun romp that really does sound like it should go with some classic 80’s shlock. It’s cheesy, over the top, and pretty delightful though it goes a bit too wild at points.

Screaming Females does a touch too much on “All At Once”

In this review, I got to take on a bigger name in rock in form of “Screaming Females”. Overall, the album was good, being both catchy and inventive with regularity. The guitar and vocals on the album were worth listening to for sure but I felt the album went on for too much and could’ve been seriously slimmed down.

“In a Poem Unlimited” or how to make good political art

Political art can often go awry and read as ham-fisted or poorly done yet when it’s done well it can be so poignant. Meg Remy/US Girls made absolutely masterful political art in form of “In a Poem Unlimited” – a seriously incredible album that shows and doesn’t tell you about the damage of so many political forces Remy does not agree with.

Premiere: Ben de la Cour “Company Town”

My first song premiere! I wrote about more political art in form of Ben de la Cour’s “Company Town” – a song that surprised me with how much I enjoyed it. De la Cour made a tasteful and thoughtful song about the genuine plight a lot of small-time American farmers and dying American towns face. It’s a classic country – think Johnny Cash or Steve Earle – tune that does its job well.

“Hope World” sounds beautiful when it floats and underwhelming when it doesn’t

Back to k-pop! J-hope, a member of one of k-pop’s biggest bands in form of BTS, released a solo album. I felt that there were some standout moments where J-hope showed his skill and his genuine ability to make catchy songs that had an incredible sense of aesthetic that captured his influences well but that the album faltered when it went away from that aesthetic into standard and dull rap tracks.

“Where Owls Know My Name” contains masterpieces and mediocrity

A long overdue metal review of one of my favorite technical death metal bands, Rivers of Nihil. Their new album was a wild ride, with some truly incredible and awesome tracks that felt like masterpieces of the genre and others that felt boring. The first half did very well and the second half left me wishing it was more like the first.

Kubbi creates a diverse electronic forest on “Taiga”

I reviewed an electronic, chiptune and video game inspired album that left me ultimately very pleased. Despite some isses of cohesion and flow when the album tried to mash together very different styles, I felt this one of the better atmospheric and general electronic albums I’d heard in a while. It was inventive and took on risks in meshing different sub-genres that most electronic artists don’t try to do and don’t do nearly as gracefully and subtly.

Fun Jack White is back

Jack White’s new album “Boarding House Reach” brought me back to the days when his music felt fun to me. Jack White’s solo projects seemed lackluster and totally lacking the bite of his old White Stripes and even Raconteurs albums. I was so refreshed by his newest album that I wrote a piece talking about how fun Jack White’s music can be and how the Fun Jack White had returned.

Snail’s House gets mellow with “Snö”

Snail’s House is a super prolific Japanese artist that makes electronic music styled around anime and kawaii (cute) culture. While I think many peers in his genre make lazy music, Snail’s House usually puts out a good effort. His new album definitely had good effort behind it and used great real-world samples and sounds to make a serene winter wonderland.

~Austin R. Ryan

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February Reads


My March just got a little bit busy and my mind got a little flighty but I didn’t forget the reads posts. Here’s all I’ve done for February 2018. I’m gonna put up the March Reads a little after this and try to be more on top of things come April.

Khruangbin brings the mellow funk with “Con Todo El Mundo”

I reviewed Khruangbin’s newest album. Khruangbin is a band like you’ve never heard that makes a unique sound using elements from things you’ve probably heard, like funk and 60’s psychedelic music. Their new album, “Con Todo El Mundo”, has a nice blend of mellow and funky but falters when it mellows out too much.

Rhye masters a smooth and sensual style with “Blood”

Rhye’s new album “Blood” is long-awaited and masterfully crafted. It’s emotive, sensual, and interesting throughout mostly due to very smart compositions that build in fluid and complex ways. The album lulls too much at times but mostly sticks to its strengths well.

AWOLNATION hits and misses with “Here Come the Runts”

A rare negative review of mine. AWOLNATION is a pretty bipolar band in general for me and this album was no different. There were tracks I really enjoyed and felt had a White Stripes or The Hives-esque energy to them – fun, short, and driven by a distinct lead rhythm. Yet, more tracks than not were mediocre and phoned-in.

With “Little Dark Age” MGMT makes an album where every song fits

Reviewing “Little Dark Age” was like taking a trip through a distorted version of 80’s pop. Thing is, parts of 80’s pop aren’t that great and MGMT takes those on as well. “Little Dark Age” has the underwhelming ballads of the 80’s as well as its super fun synth melodies. Overall, it’s a super consistent and fun album with a few standout songs.

London brings together its best young jazz bands in “We Out Here”

One of the better compilation albums I’ve heard, “We Out Here” captures the sounds of many of London’s best young jazz bands. The bands all made unique songs for the album so there’s a pleasant cohesion to the album that compilations usually lack. The album blends together very well and because of the distinct sounds each band has it’s an album that stays remarkably fresh.

BoA shows she still has her K-Pop chops with “One Shot, Two Shot”

I reviewed BoA’s new album “One Shot, Two Shot” and felt that it was a very solid k-pop album. It had a few really strong songs and pretty much no bad ones though it didn’t necessarily wow me as a whole product.

BoA’s new music video has a refreshingly real take on age

I enjoyed BoA’s new music video more than her album. Many k-pop videos focus on youth and making stars look young to a point where it knocks me out of the music. BoA, a 30-year-old musician, acts and looks more her age in her video for “One Shot, Two Shot” and I absolutely loved seeing an older pop star not made to look like she was 18.

“Marbled” is a thoughtful and strong labor of love

“Marbled” was one of my favorite albums I reviewed in 2018. Abhi The Nomad is an indie hip-hop artist with some serious soul and groove, capable of creating great bars that convey some seriously deep sentiment about family, depression, and life in general. While there are times where Abhi gets overly sentimental, the album should get most people moving and thinking.

~Austin R Ryan